Jean Carzou (1907-2000)

Jean Carzou, Vestales,1976

Vestales, 1976
Unframed size: 25″x32″,
oil on canvas.
Year 1976
Signed lower right
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Jean Carzou, Bateau dans le port, 22x26 inches, oil on canvas, 1991

Bateau dans le port, 1980.

24×29 inches
Oil on canvas
Signed and dated lower left.
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Jean Carzou, L'etang, 21.5x26 inches, oil on canvas, 1991

L’etang, 1991
21.5″x26″
oil on canvas.
Signed lower right
INQUIRY

Jean Carzou, 18x22 En Nor mandie, pres de reva bella, oil on canvas

En Nor mandie, pres de reva bella,
18×22 inches
oil on canvas.
Signed and dated lower right.
INQUIRY

Jean Carzou, Versailles 24x29 inch, oil on canva, Year 1980

Vestales, 1980

24×29 inches
Oil on canvas
Signed and dated lower left.
INQUIRY

Jean Carzou, Le Mur de la propriete 1957 oil on canvas 20x25.5 inches

Le Mur de la propriete ,1957
oil on canvas 20×25.5 inches.
Signed and lower right.

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Jean Carzou, 1967, 25.5x15.5 ink and color pan on paper

The boats, 1967
25.5×15.5 ink and color pencils on paper.
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Jean Carzou, House by the roadside, 1997 , crayon and ink on paper 17.5 x21.5 inches

House by the roadside, 1997
crayon and ink on paper
17.5 x21.5 inches
signed lower right

INQUIRY

Jean Carzou, L'automne a Versailles, 1984 ,22x30 inches, lithograph signed and numbered

L’automne a Versailles, 1984
22×30 inches
Lithograph signed and numbered

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Jean Carzou, Limited edition

New York

Limited edition
signed and numbered.

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Venice

Limited edition, signed and numbered.
INQUIRY

Jean Carzou, Limited edition 2

Limited edition
signed and numbered.

INQUIRY

 Vestales, 25.5x32 in, oil on canvas, the Year 1976. Signed lower left.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou, L'etang, 21.5x26 inches, oil on canvas, 1991

L'etang, 21.5x26 inches, oil on canvas, 199. Signed lower right and dated.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou, L'etang, 21.5x26 inches, oil on canvas, 1991
Jean Carzou, 18x22 En Nor mandie, pres de reva bella, oil on canvas
En Nor mandie, pres de reva bella,18x22 In., oil on canvas. Signed and dated lower right.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou, 18x22 En Nor mandie, pres de reva bella, oil on canvas

Versailles, 24x29 inch, oil on canva, Year 1980, Signed and dated lower left.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou

 Bateau dans le port, 24x29 inch, oil on canvas, the Year 1980. Signed and dated lower left.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou
Jean Carzou, Le Mur de la propriete 1957 oil on canvas 20x25.5 inches

 Le Mur de la propriete ,1957 oil on canvas 20x25.5 inches. Signed and lower right.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou, Le Mur de la propriete 1957 oil on canvas 20x25.5 inches
Jean Carzou, 1967, 25.5x15.5 ink and color pan on paper

The boats, 1967, 25.5x15.5 ink and color pencils on paper.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou, 1967, 25.5x15.5 ink and color pan on paper
Jean Carzou Paysage 1960 watercolor on paper 19.5x25 inches

 Paysage. 1960 watercolor on paper 19.5x25 inches. Signed lower right.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou Paysage 1960 watercolor on paper 19.5x25 inches
Jean Carzou, House by the roadside, 1997 , crayon and ink on paper 17.5 x21.5 inches

House by the roadside, the year 1997, crayon and ink on paper, 17.5 x21.5 inches. signed lower right.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou, House by the roadside, 1997 , crayon and ink on paper 17.5 x21.5 inches
Jean Carzou, 11.5x9 inches, ink on paper, year 1949

11.5x9 inches, ink on paper, the year 1949, sighed lower right.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou, 11.5x9 inches, ink on paper, year 1949
Jean Carzou, L'automne a Versailles, 1984 ,22x30 inches, lithograph signed and numbered

L'automne a Versailles, 1984 ,22x30 inches, lithograph signed and numbered

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou, L'automne a Versailles, 1984 ,22x30 inches, lithograph signed and numbered
Jean Carzou, Limited edition 2

Limited edition, signed and numbered.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905

 

 

Jean Carzou, Limited edition 2
Jean Carzou, Limited edition

 Limited edition, signed and numbered.

For additional information, purchasing or questions, please do not hesitate to send us
an email at info@stephaniesgallery.com or call (818) 790-4905
Jean Carzou, Limited edition
 
 

Jean Carzou
(1907-2000)

“When I work form nature or in my studio, I leave the world of reality for a sort of religious realm where my hand seems to obey impulses form an invisible force. And when I am seated before my easel, I disappear into a universe different form ours; it’s like entering into prayer”. _ Jean CARZOU (1907-2000)

On graduation from the Lycée. Carzou devoted himself to studying painting in Montparnasse studios. He first showed his work at the Salon des Indépendents in 1930. Then he took part in various Salons, notably the Surindépendents, Salon d’Automne, Ecole de Paris, “Painters, Witnesses to their Times,” Comparaisons, etc. His first one-man show was held in a Rue de Seine gallery in 1939. Since then there have been more than one hundred one-man shows in Paris and elsewhere in France and abroad. He has been part of most official state exhibitions out side Paris and abroad: Biennials of Venice, São Paulo, Genoa: and exhibitions of French art in Yugoslavia, The Netherlands, Italy, Switzerland, Japan, Norway, and Australia.

Carzou has won numerous prizes in painting, among them: the Hallmark Prize (three consecutive times in 1949, 1952 and 1955); Grand Prix de I’lle-de-France in 1954; Grand Prize for National Education, Tokyo, 1955; and the Grand Prix “Europe” at the first Bruges Biennial in 1958. He is an officer of Arts and Lettres and the Légion d’Honneur.

In 1950, he traveled to Egypt and Lebanon for several exhibitions. In 1953, his exhibition devoted entirely to Venice was a huge success. The same year, a poll of museum-goers named Carzou’s The Lovers’ Lane their favorite painting. In 1955, a referendum organized by the magazine “Connaissance des Arts” placed him among the ten best painters of the post-war generation.

Carzou’s seven sets for the theater have attracted world attention: the set for “Incas” from Jean-Philippe Rameau’s 1952 “Indes galantes;” “Giselle” in 1954 for the Paris Opera: the “Wolf” in 1953 for Roland Petit: “Athalie” in 1955 for the Comedie Française; “After Eden” for the Harkness Ballet: “Jeanne et ses juges,” by Thierry Maulnier in 1968; and in 1969, the much acclaimed sets and costumes for “La Périchole,” by Offenbach for the Théâtre de Paris. Carzou also has produced a prodigious graphic oeuvre. A catalogue raisonné of his etchings and lithographs is being published by André de Francony. The first two volumes have already appeared, one with a preface by Roger Caillois, the other by Marcel Brion, and introductions by Pierre Mazars, and texts by Maguy Furhange.

Carzou has illustrated books by T. S. Eliot, Ernest Hemigway, Albert Camus, André Maurois, François Mauriac, Jean Follain, Jacques Audiberti, Pierre MacOrlan, Eugéne Ionesco, Shakespeare, Arthur Rimbaud, Edgar Allan Poe, and others. He executed tapestry cartoons, “Invitation to a Voyage,” for the Gobelins factory: “La Périchole” for the “Mur du Nomade”; and two for Pierre de Tartas, Carzou painted a panel for the luxury liner “France,” and has decorated several ceramic plates.

In 1957, Carzou’s famous exhibit at the David and Garnier Gallery, The Apocalypse, inspired by modern times, attracted widespread attention. “Escales,” a show of watercolors at the same gallery, also generated great excitement. In 1959, Carzou traveled to the United States to attend the opening of his first exhibit in New York at the Wildenstein Gallery. In 1960, Provence, which he often has visited since 1958 was the theme of his exhibition at the David and Garnier Gallery.

Jean Carzou throughout the years

Books of Carzou’s works

Since about 1958, he has favored the warm tones of the late forties over the green-blue colors of the intermediate period. Tension rose in his work and crystallized into his current period. This climate, hinted at in The Apocalypse, culminated in the 1963 exhibition “Summer Light” at the David and Garnier Gallery. Here, the painter’s subject matter is a color, sulfur orange; ports, railroad tracks, and landscapes bathed in a strong fiery light.

In 1964 and 1965, several exhibitions of his work were held in France and abroad. In June 1965, he traveled to Greece. The same year, he exhibited black and white drawings with color highlights at the David and Garnier Gallery. In 1966, major exhibitions were held at the Palais de la Méditerranée in Nice, and the Musée de I’Athénée in Geneva. In the fall of 1966, Carzou traveled extensively in the U.S.S.R., and particularly in Armenia, where a major show of his prints and stage set was organized. This exhibit was extraordinarily successful. In 1968, he designed sets for “Jeanne and her Judges,” by Thierry Maulnier at the Mai de Versailles. In 1967 and 1968, Carzou showed his prints widely. In 1968, a major retrospective exhibition was held in Cologne. In November of the same year, an important exhibition, “Ritual Figures,” inaugurated the new E. David Gallery. Carzou retuned to the themes of his youth. The paintings, with their dominant reds, represented interiors where couples of hieratic and enigmatic figures seem frozen in expectation. The painter’s son, Jean-Marie, a graduate in fine arts, wrote a remarkable preface to he catalogue. The exhibit was enormously successful. In 1969, Carzou etched about twenty copper plates to illustrated Rimbaud’s “Illuminations,” and executed about thirty color lithographs for Jules Verne’s “From the Earth to the Moon.” In 1969, he spent brief periods in Switzerland and Sweden for exhibitions, and traveled to Lebanon and Syria.

In the autumn of 1969, he traveled again to the Moscow and Leningrad, and by train, then continued to Armenia. In 1972, he made a second trip to the United States. Another exhibition was held in Tokyo in 1971. Throughout 1972 he prepared a major exhibition of about sixty drawings and watercolors entitled “Graphic” at the Tamenaga Gallery in 1973. In 1975, Vision Nouvelle presented a retroslpective of twenty five years’ work in lithography and etching. The Paris Opera included Roland Petit’s “The Wolf” in its repertory. The Comédie Française presented a revival of Racine’s “Athalie” with its Carzou sets. The Angers theater presented Offenbach’s “La Périchole” with Carzou’s complete set of decors.

In 1976, the Nichido Gallery in Paris showed Carzou’s recent paintings and drawings on a single theme. Blue-green reappeared among the bright reds. Several exhibitions of the artist’s print work were organized outside Paris to mark the publication of the second volume of the catalogue raisonné. Carzou spent May in Cannes, where he, Tennessee Williams, Constantin Costa-Gavras, and Georges Schéhadé were members of the film festival jury. In September, the French postal services issued a stamp by Carzou. For the occasion, the Postal Museum sponsored a large exhibition of Carzou’s paintings, drawings and lithographs. Carzou began a series of lithographs commissioned by the Sociéteé des bibliophiles de I’Automobile Club de France for “Le Château d’argol” by Julien Gracq. Concurrently, he worked on his longstanding series of paintings of Versailles, the theme of his next exhibition.

In July of 1977, Jacques Chirac, the French Prime Minister, presided over Carzou’s retrospective exhibition at the Château de Val in Corrèze. There were also retrospective exhibitions in Switzerland, Luxembourg, Rochecheouart, the Château des Hayes, and Pérouges, near Lyons. Carzou was awarded the National Order of Merit by the President of the Republic. In December of the same year, he was made a member of the Académie des Beaux-Arts, where he replaced Jean Bouchaud. On April 4, 1979, he became a member of the Institut de France.

Carzou pursues his work in the great tradition of painting. He labors alone, a witness to his times, uninfluenced by passing fashions, demonstrating originality and individuality separate form the evolution of contemporary art. His compositions, his figures, and his landscapes evolve in limbo between dream and reality. Railroad tracks, enigmatic figures, unknown ports all appear out of nowhere, and mysterious domains surround dreamlike figures often encased in iron armor. Crumbling palaces by faraway seasides reveal nostalgia for the past and anxiety for the future, while mercenary armies march into grand halls where women stand adorned for strange ceremonies.

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