Salvador Dali (1904-1989)
"Ni por esas", Goya, 148/200 and signed in pencil by Salvador Dali, 17.5x12.70 in.. 227 years after the birth of Spanish master Francisco Goya, Salvador Dali had an idea to transform Goya’s “Los Caprichos” and present a new work. Goya’s Los Caprichos was an artistic experiment exposing the foolish superstitions in 18th-century Spanish society. Goya described the series as depicting “ the innumerable foibles and follies to be found in any civilized society, and from the common prejudices and deceitful practices which custom, ignorance, or self-interest have made usual “. The body of work was withdrawn from public sale before their planned release in 1799. Only a formal order from King Carlos IV kept Goya from being called before the Spanish Inquisition. In 1973 Salvador Dali created a metamorphosis of Goya’s suite into a colorful surrealist masterpiece. From the numbered edition of 200, each piece is hand-signed by Salvador Dali and is a genuine rarity for Dali and Goya admirers.
"Ni por esas", Goya, 148/200 and signed in pencil by Salvador Dali, 17.5x12.70 in.. 227 years after the birth of Spanish master Francisco Goya, Salvador Dali had an idea to transform Goya’s “Los Caprichos” and present a new work. Goya’s Los Caprichos was an artistic experiment exposing the foolish superstitions in 18th-century Spanish society. Goya described the series as depicting “ the innumerable foibles and follies to be found in any civilized society, and from the common prejudices and deceitful practices which custom, ignorance, or self-interest have made usual “. The body of work was withdrawn from public sale before their planned release in 1799. Only a formal order from King Carlos IV kept Goya from being called before the Spanish Inquisition. In 1973 Salvador Dali created a metamorphosis of Goya’s suite into a colorful surrealist masterpiece. From the numbered edition of 200, each piece is hand-signed by Salvador Dali and is a genuine rarity for Dali and Goya admirers.
"El arcabuz produce monstruos", Goya , 148/200 and signed in pencil by Salvador Dali, 17.5x12.70 in. 227 years after the birth of Spanish master Francisco Goya, Salvador Dali had an idea to transform Goya’s “Los Caprichos” and present a new work. Goya’s Los Caprichos was an artistic experiment exposing the foolish superstitions in 18th century Spanish society. Goya described the series as depicting “ the innumerable foibles and follies to be found in any civilized society, and from the common prejudices and deceitful practices which custom, ignorance, or self-interest have made usual “. The body of work was withdrawn from public sale before their planned release in 1799. Only a formal order from King Carlos IV kept Goya from being called before the Spanish Inquisition. In 1973 Salvador Dali created a metamorphosis of Goya’s suite into a colorful surrealist masterpiece. From the numbered edition of 200, each piece is hand signed by Salvador Dali and is a genuine rarity for Dali and Goya admirers.
"El arcabuz produce monstruos", Goya , 148/200 and signed in pencil by Salvador Dali, 17.5x12.70 in. 227 years after the birth of Spanish master Francisco Goya, Salvador Dali had an idea to transform Goya’s “Los Caprichos” and present a new work. Goya’s Los Caprichos was an artistic experiment exposing the foolish superstitions in 18th century Spanish society. Goya described the series as depicting “ the innumerable foibles and follies to be found in any civilized society, and from the common prejudices and deceitful practices which custom, ignorance, or self-interest have made usual “. The body of work was withdrawn from public sale before their planned release in 1799. Only a formal order from King Carlos IV kept Goya from being called before the Spanish Inquisition. In 1973 Salvador Dali created a metamorphosis of Goya’s suite into a colorful surrealist masterpiece. From the numbered edition of 200, each piece is hand signed by Salvador Dali and is a genuine rarity for Dali and Goya admirers.
Aquellos armarios tinosos, Goya, numbered and signed in pencil by Salvador Dali, 17.5x12.70 in., 227 years after the birth of Spanish master Francisco Goya, Salvador Dali had an idea to transform Goya’s “Los Caprichos” and present a new work. Goya’s Los Caprichos was an artistic experiment exposing the foolish superstitions in 18th century Spanish society. Goya described the series as depicting “ the innumerable foibles and follies to be found in any civilized society, and from the common prejudices and deceitful practices which custom, ignorance, or self-interest have made usual “. The body of work was withdrawn from public sale before their planned release in 1799. Only a formal order from King Carlos IV kept Goya from being called before the Spanish Inquisition. In 1973 Salvador Dali created a metamorphosis of Goya’s suite into a colorful surrealist masterpiece. From the numbered edition of 200, each piece is hand signed by Salvador Dali and is a genuine rarity for Dali and Goya admirers.
Oxigeno en Marte , Edition, 200/200 and signed in pencil by Salvador Dali, 17.5x12.70 in. 227 years after the birth of Spanish master Francisco Goya, Salvador Dali had an idea to transform Goya’s “Los Caprichos” and present a new work. Goya’s Los Caprichos was an artistic experiment exposing the foolish superstitions in 18th century Spanish society. Goya described the series as depicting “ the innumerable foibles and follies to be found in any civilized society, and from the common prejudices and deceitful practices which custom, ignorance, or self-interest have made usual “. The body of work was withdrawn from public sale before their planned release in 1799. Only a formal order from King Carlos IV kept Goya from being called before the Spanish Inquisition. In 1973 Salvador Dali created a metamorphosis of Goya’s suite into a colorful surrealist masterpiece. From the numbered edition of 200, each piece is hand signed by Salvador Dali and is a genuine rarity for Dali and Goya admirers.
For additional information, purchasing or if you have any questions,
please do not hesitate to send us an email at info@stephaniesgallery.com or call (818) 790-4905
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marqués de Dalí de Púbol (11 May 1904 – 23 January 1989) Spain, known as Salvador Dalí.
Spanish painter, graphic artist, filmmaker, writer.
Salvador Dali was one of the twentieth century’s most famous artists, a painter whose remarkably potent work is recognized the world over. Both his extraordinary artwork and a brilliantly eccentric personality account for his universal popularity.
Dali was an superb draftsman who continually sought to develop new aesthetic approaches to painting. He very much admired the expert techniques displayed by Renaissance artists and sought initially to emulate that high style. While for a time a leading Surrealist – he himself stated with no little aplomb “I am Surrealism!” and remains a prototype of a specific quality and remains a prototype of a specific quality of surrealism-he was finally expelled from the volatile group because his art and vision encompassed much more than mere ideology.
Dali’s exuberant public life and prolific artistic production resulted in his engaging in many aspects of the arts. Besides painting Dali was active in the theater, literature and theory, ballet, and film. With the lifelong assistance of his beloved wife Gale, he explored with diligence and enthusiasm both madness and mysticism. He philosophized constantly about the nature of art-his own and the public’s varied response to it.
As his reputation grew so did his public displays, artistic and otherwise-he clearly prefigured Warhol and the sixties decade by a long shot. Today he is remembered most fondly not only for his marvelous paintings and the large museums of his work but for his lobsters, his mustache, and his obsession with the shape of his wife. Even years after his death the phenomenon of Dali continues to provoke and amaze. -Edmund Swinglehurst